膽包天

備注：已完結(jié)

類(lèi)型：動(dòng)作片

主演：托馬斯·米連 約瑟夫·科頓 Maria Fiore Mario Pia 

導(dǎo)演：翁貝托·倫齊 

語(yǔ)言：其它

年代：未知

簡(jiǎn)介：　　Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another.　　The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!

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一個(gè)女人的身份證明

備注：已完結(jié)

類(lèi)型：劇情片

主演：托馬斯·米連 達(dá)妮埃拉·西爾韋里奧 克里斯蒂娜·布瓦松 拉臘·文德?tīng)?/a> 

導(dǎo)演：米開(kāi)朗基羅·安東尼奧尼 

語(yǔ)言：其它

年代：未知

簡(jiǎn)介：　　尼克羅（托馬斯·米連 Tomas Milian 飾）是一名電影導(dǎo)演，一次偶然中，他邂逅了名為馬維（達(dá)妮埃拉·西爾韋里奧 Daniela Silverio 飾）的女孩，兩個(gè)人很快就走到了一起。一天，馬維在無(wú)緣無(wú)故的情況下失蹤了，這讓尼克羅感到非常的困惑，于是踏上了尋找馬維的旅途?！　⊥局校峥肆_結(jié)識(shí)了伊達(dá)（克里斯蒂娜·布瓦松 Christine Boisson 飾），他將自己和馬維的故事告訴了伊達(dá)，激起了伊達(dá)的好奇心。在伊達(dá)的幫助之下，尼克羅最終得到了馬維的住址，但等待他的卻并非溫暖人心的重逢。尼克羅最終和伊達(dá)結(jié)了婚，兩人在度蜜月的途中伊達(dá)告訴自己的丈夫她懷孕了，可是肚子里的孩子卻并不是尼克羅的。

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勇者無(wú)懼1997

備注：已完結(jié)

類(lèi)型：劇情片

主演：摩根·弗里曼 奈杰爾·霍桑 安東尼·霍普金斯 杰曼·翰蘇 馬修·麥康納 

導(dǎo)演：史蒂文·斯皮爾伯格 

語(yǔ)言：英語(yǔ)

年代：未知

簡(jiǎn)介：　　1839年，運(yùn)送黑奴的阿米斯塔德號(hào)在大洋上遭遇暴風(fēng)雨，黑奴們趁亂暴動(dòng)，將船員砍殺，控制了阿米斯塔德號(hào)后試圖駛回家鄉(xiāng)，然而六周后，他們陰差陽(yáng)錯(cuò)抵達(dá)了美國(guó)，幸存下來(lái)的44名黑奴被美國(guó)軍方逮捕，并將面臨殺人罪的指控。此時(shí)，西班牙女王向美國(guó)總統(tǒng)要求引渡這些屬于西班牙的黑奴；兩名海軍軍官也宣稱(chēng)黑奴是他們的戰(zhàn)利品；另有人拿出了在古巴購(gòu)買(mǎi)這些黑奴的證明。各方爭(zhēng)執(zhí)之際，廢奴會(huì)的領(lǐng)袖之一、同時(shí)也是船公司負(fù)責(zé)人的喬德森（摩根·弗里曼 Morgan Freeman 飾）與友人塔培安雇傭了律師羅杰，希望證明這些黑奴來(lái)自非洲，從而在廢奴觀念深入人心的大環(huán)境下為他們謀取自由……

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酷刑陰謀

備注：已完結(jié)

類(lèi)型：劇情片

主演：托馬斯·米連 艾德麗安·拉魯薩 喬治·威爾森 Mavie Bardan 

導(dǎo)演：盧西奧·弗爾茲 

語(yǔ)言：意大利語(yǔ)

年代：未知

簡(jiǎn)介：A young Italian noblewoman plots with her lover and her family to murder her abusive father leading to an uproar in the community and the Roman Catholic church set in 16th Century Italy.

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傻瓜跑進(jìn)來(lái)

備注：已完結(jié)

類(lèi)型：喜劇片

主演：馬修·派瑞 薩爾瑪·海耶克 喬恩·坦尼 卡洛斯·戈麥斯 托馬斯·米連 

導(dǎo)演：安迪·坦納特 

語(yǔ)言：英語(yǔ)

年代：未知

簡(jiǎn)介：　　一次外出公干中，艾利克斯（馬修·派瑞 Matthew Perry 飾）遇見(jiàn)了名為伊莎貝爾（薩爾瑪·海耶克 Salma Hayek 飾）的攝影師，伊莎貝爾的美麗和奔放吸引了艾利克斯的注意，兩人之間產(chǎn)生了一段充滿(mǎn)了激情和浪漫的露水情緣。　　本以為這段情緣不過(guò)是漫長(zhǎng)生命中的小小點(diǎn)綴，但令艾利克斯沒(méi)有想到的是，幾個(gè)月之后，他竟然和伊莎貝爾在內(nèi)華達(dá)州重逢了，不僅如此，此時(shí)的伊莎貝爾腹中，已經(jīng)懷上了艾利克斯的骨肉。事已至此，艾利克斯決定同伊莎貝爾結(jié)婚，而這對(duì)“最親密的陌生人”，他們能夠處理好彼此之間的感情嗎？隨著時(shí)間的推移，艾利克斯和伊莎貝爾之間產(chǎn)生了巨大的分歧，他們一個(gè)希望能夠回到紐約，一個(gè)想要留在內(nèi)華達(dá)州，在巨大的個(gè)性差異面前，他們還能夠堅(jiān)持自己的選擇嗎？

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